If there is indeed a form of traditional Indian painting that represents the beauty of the Almighty, it is Thanjavur or Tanjore painting. The paintings that make use of this art form are undoubtedly a celebration of the beauty and divine effervescent colour of the gold foil. No wonder these paintings are in high demand and are considered a great souvenir option.
Traditional Indian Painting
Indian painting is a wonderful art form, which characterizes its presence in the global environment and whose content and style have an influence on the culture of the region. tanjore painting is isolated from the contemporary standards of art and self-sufficient in style.
Inlaid with precious stones, decorated with gold leaf and worked with bound and proven materials, they are dedicated to popular Indian deities such as Krishna and Lakshmi and depict birds and animals favoured by the gods.
The main features of Tanjore painting are rich and vibrant colours, inlays embedded in gold foil, glass, precious stones and glittering gold. The shine of the gold leaves used in this painting style is long lasting. This style uses towering gesso (white plaster filler) to accommodate semi-precious stones and vibrant colours.
Tanjore painting is a classical south Indian art that was developed in Thanjavur (also known as Tanjore) in Tamilnadu in the late 16th century. Popular as palagai padam (palagai is wooden plank or padam is an image in local parlance), it is a panel painting painted on wooden planks. Stone in all shapes and colours is used in this art.
Greatest Traditional Art
Tanjore paintings, one of India’s greatest traditional art forms, construct kaleidoscopic images of our glorious past and our rich cultural and royal heritage.
Tanjore paint is a unique visual fusion of art and craftsmanship reflecting the religious traditions and spiritual creativity of Indian art forms and is considered one of the most popular forms of classical South Indian painting. Tanjore painting developed in the 16th century when the Chola emperors ruled over southern India.
Although Tanjore paintings were very popular during the 16th century, when the Chola emperors ruled South India, there are only a handful of paintings from this period.
If you visit a temple in southern India, most of them will have paintings of gods and goddesses in Tanjore painting. Tanjore paintings, along with Thanjavur paintings, were also popular in the 16th century during the Marathas invasion of southern India.
Thanjavur painting is a classical South Indian painting style that was introduced in the city of Thanjavur (which is now anglicized as Tanjore). The content of such a school of painting, Tanjore painting, revolves around the representation of gods and goddesses, stories and religious epics such as the Mahabharata and Ramayana. The style is influenced by the painting style of the Deccani, Vijayanagar, Maratha and European companies.
One such painting school, Tanjore Painting reflects the culture of the community, its beliefs and practices and the artists who have passed on their art from generation to generation to the next, like many other forms of painting in India.
Composition of Painting
The composition of the Tanjore paintings is traditional and many of them have been passed down from one generation to the next. The meaning of a Tanjore painting is that everything is reproduced in the traditional way and is filled with purity and divinity.
Vincent Dui, Ram Purbar, Ramapattabishekam, Shiva, Krishna, Dasavataram, Ramakarttabishekam, Meenakshi, Kalyanam, Murugan, Valli, Devayani and Lakshmi are sought-after compositions of Tanjore painting renditions by artists who lend them uniqueness.
Tanjore paintings, grounded in tradition, depicted in rich and vibrant colours the divine gods and goddesses of the Hindu pantheon. It is an important jewel and a shining treasure of the Indian art form.
The inspiration for Tanjore Painting comes from the patronization of art forms such as classical dance, music, literature and painting. Gods and goddesses are adorned with heavy jewellery, backgrounds are glued to 22-carat gold foil and the remaining room is coloured with bright colours, which makes the paintings unique.
The paintings of Tanjore are rooted deeply in the cultural past of their place of origin and painters used their skill and imagination to create masterpieces of the art form.
Origination of Tanjore Painting
Tanjore painting is a style that originated in Tanjore and flourished during the Maratha rule from the 17th to the 19th century. Artists from southern Tamil Nadu followed this style of painting during this time. Although not considered high-class art, it was favoured by kings and ordinary people of all ages.
Decorated with rubies, diamonds and other precious stones and decorated with gold foil, Tanjore paintings are a real treasure. They have influenced many forms of modern art, including C. Kondiah Raju’s calendar prints, Raja Ravi Varma and Western naturalism. Tanjore’s paintings in their original form are a lost art and make a statement, but private agencies are trying to revive and restore them.
One such painting school, Tanjore painting, originated in South India and flourished under the patronage of the royal family Vijayanagar Maratha. Artists from the Raju townships of Thanjavur and Tiruchi (also called Jinigara, Chitragara and Nayudu) and the township of Madurai made Tanjores-style paintings. This style of painting emerged during the most recent phase of classical art in South India and the society in which it was created while it was going through turbulent times.
History for the Art
Most paintings depict Hindu deities and saints, and because of their different characteristics, Tanjore paintings, unlike the Thanjavur paintings, are given the GI as a geographical status indicator. The word “antique” means “ancient treasure” or “valuable on the basis of ancient traditional values,” and antique objects show a degree of craftsmanship, collecting passion and a certain attention to design, and this we see in Tanjore’s paintings throughout the history of art.
Tanjore painting is an art form from the 16th century and can be seen in centuries-old temples and many other monumental places. These traditional paintings are auspicious works of art that have been preserved for a lifetime in artgallery, preserving prominent positions in houses, places of puja and transforming images for worship.